Period: Romantic (1820-1869) Country: Germany Born: February 03, 1809 in Hamburg, Germany Died: November 04, 1847 in Leipzig, Germany  Related Paintings of felix mendelssohn :. | Writing characters of St. Sting | Bath four women who | venus at her Mirror (df01) | he Persian Sibyl | Goat shepherdess |
Related Artists:
Louis Janmot
(21 May 1814 - 1 June 1892) was a French painter and poet. Janmot was born in Lyon of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sister's in 1829. He became student at the Royal College of Lyon where he met Frederic Ozanam and other followers of his philosophy professor, Abbe Noirot. In 1831 he was admitted to the École des Beaux-Arts de Lyon and a year later, he won the highest honor, the Golden Laurel. In 1833, he came to Paris to take painting lessons from Victor Orsel and Jean-Auguste-Dominique Ingres. With other Lyon painters, he entered the Society of St. Vincent de Paul. In 1835, he went to Rome with Claudius Lavergne, Jean-Baptiste Frenet and other students and met Hippolyte Flandrin. After his come back to Lyon in 1836, Janmot would attract the attention of critics of the Salon de Paris in conducting large-scale paintings with religious inspiration such as The Resurrection of the son of the widow of Nain (1839) or Christ in Gethsemane (1840). After 1845, he attracted the interest of Charles Baudelaire with his painting Flower of the Fields that allowed him to access to the Salon of 1846. Theophile Gautier was impressed by his Portrait of Lacordaire (1846). But the failure of his Poem of the Soul at the Universal Exhibition of 1855 disappointed him. In December of that year he married Leonie Saint-Paulet, from a noble family in Carpentras. In 1856, Janmot obtained a commission to paint a fresco (since destroyed) representing the Last Supper for the church of St. Polycarp. Other orders followed, including the decoration of the dome of the Church of St. Francis de Sales and for the town hall that had been renovated by his friend the architect T. Desjardins. He was then appointed professor at the École des Beaux-Arts.
Anton Azbe
(30 May 1862 - 6 August 1905) was a Slovene painter and teacher. He was born in a peasant family in the small Carniolan village of Dolenčice near Škofja Loka in Austria-Hungary (today, in Slovenia). At first he studied art in Ljubljana under the supervision of Janez Wolf who introduced him to the style of the Nazarene movement. At the age of twenty he went to Vienna, where he attended the Akademie der bildenden K??nste. In 1884 he moved to Munich. Initially he attended the Munich Academy of Fine Arts, but in 1885 he left it in order to join the private painting school of Ludwig von Löfftz. In 1892, he established his own school which soon became known under the name of Azbe-Schule and became one of the most renowned painting schools for young artists in the Bavarian capital. Several famous painters, particularly those who arrived to Munich from Slavic countries, attended Ažbe's school, including Wassily Kandinsky, Alexej von Jawlensky, Rihard Jakopič and Nadežda Petrović.
Isaac Grunewald
Swedish, 1889-1946,was a Swedish-Jewish Expressionist painter born in Stockholm. Having studied at a Swedish art school, at age nineteen Gr??newald travelled to Paris to study under Henri Matisse. In 1909 he gained recognition in his homeland when he exhibited his work at Halldins konsthandel. He met Fauvist painter Sigrid Hjert??n, who had studied at the College of Crafts and Design in Stockholm, and encouraged her to return with him to study in Paris. Married in 1911, they became part of a group of Scandinavian artists known as "De Unga" (The Young Ones). The Crane (1915) by Isaac GrunewaldGrenewald and Hjerten regularly exhibited together at home and abroad and art historians now often cite them as being responsible for introducing modernism to Sweden. At a time in history when anti-Semitism was widespread and women in art were frowned upon, although widely known they were never fully accepted by the artistic community of the day and their works were often the subject of ridicule. Partly as a result of this, Isaac Grunewald had to supplement his income creating stage designs for the Royal Dramatic Theatre and the Royal Swedish Opera. He decorated the walls and ceiling of an auditorium (since renamed Grunewald Hall) at the Stockholm Concert Hall, site of the Nobel Prize ceremony, and the walls of the Matchstick Palace. The author of numerous essays on art, with his 1918 exhibit at Stockholm's Liljevalchs Konsthall Isaac Grunewald published his manifesto on Expressionism and opened his own art school. During the Second World War Grunewald worked at the renowned Rorstrand porcelain factory. His wife Sigrid Hjerten suffered from lifelong mental health problems frequently evidenced by anxiety and paranoia that resulted in her being hospitalized for extended periods in the 1930s. During the marriage the couple were frequently apart from each other for long periods and they separated permanently in 1937 and soon divorced. Isaac Grunewald remarried and in 1946 both he and his second wife were killed in an airplane crash. He is buried in Stockholm's Norra begravningsplatsen ("Northern Cemetery"). His 1912 self-portrait and his 1915 painting "The Singing Tree" appeared on Swedish postage stamps. Today, institutions such as the Arken Museum of Modern Art in Ishoj, Denmark rank Grunewald and Hjerten among the 20th Century's most important Scandinavian artists.